Bound
Director: the Wachowskis
Screenplay: the Wachowskis
Minutes: 108
Year: 1996
Score: 7.73
Release: Olive Signature
Bound is the perfect example of how a movie lover is able to transform themselves from an amateur film lover into a full-blown pure cinemaphile. When I first watched Bound, in the late 1990s it was for the exact reason that old gross executive produces demanded. T & A. Watching it now with thousands of hours of experience it is a total different movie.
From OliveFilms.com:
A groundbreaking work of LGBTQ cinema, Bound stars Gina Gershon (Showgirls) as Corky, a tough-as-nails ex-con, and Jennifer Tilly (Bullets Over Broadway) as her lover Violet. A chance encounter in an elevator ignites a torrid affair between the two women, who soon plot to steal $2 million in laundered mob money and pin the blame on Violet’s mafioso boyfriend, Ceasar (Joe Pantoliano, The Sopranos). A stylish neo-noir, fusing classic tropes with hyper-stylized camera work and color design, Bound is a crackling retro-thriller that never strays too far from its noir roots and would become the first in a line of visually dazzling films from The Wachowskis, the writing and directing team behind the Matrix trilogy.
Bound features a stellar supporting cast that includes Christopher Meloni (TV’s Law & Order: SVU), Richard C. Sarafian (director of the cult film Vanishing Point) and John P. Ryan (Runaway Train) with exquisite photography by Bill Pope (Baby Driver) and razor-sharp editing by Academy Award winner® Zach Staenberg (Best Film Editing, The Matrix, 2000).
I am going to save you a little time and tell you to not sleep on this release. Olive Films Signature Line lives on under the guise of a limited release so there will only ever be 3,500 copies of this release in existence. The picture quality and audio are absolutely top notch.
From the opening shot I realized that I had little memory of the actual film and I became hypnotized from the start straight on through to the closing credits. With a few days between that screening, I think it is safe to say that some of the shots feel overly staged for the shot rather than the scene. (Yes, I know, that’s how movies work, but in this case they appear to be a bit forced.) Watching Joe Pantoliano moving around in the white paint was was a perfect backdrop for what was happening at the moment so I am certainly not intending disrespect. Without Bound we would likely not have The Matrix, and if there was ever a reason to celebrate a film, beyond it’s own merits, this is certainly one of those time.
This release shares many of the same special features with the Arrow Films region B release from 2014 save for the “Part and Parcel” and “The Difference Between You and Me” interviews, which are exclusive to this release. I want to visit the commentary at some point to hear from the Wachowskis, but the other interviews are quite interesting.
Special Features:
- New High-Definition digital restoration
- Audio commentary with writers/directors The Wachowskis; actors Joe Pantoliano, Jennifer Tilly and Gina Gershon; film editor Zach Staenberg; and technical consultant Susie Bright
- “Part and Parcel” – with titles designer Patti Podesta
- “The Difference Between You and Me” – with B. Ruby Rich and Jen Moorman
- “Here’s Johnny!” – with Christopher Meloni
- “Hail Ceasar” – with Joe Pantoliano
- “Femme Fatales” – with Gina Gershon and Jennifer Tilly
- “Modern Noir: The Sights & Sounds of Bound” – with cinematographer Bill Pope, editor Zach Staenberg, and composer Don Davis
- Theatrical Trailer
- Essay by Guinevere Turner
Director: 10 – Cinematography: 10 – Edit: 5 – Parity: 8 – Main performance: 8 – Else performance: 6 – Score: 6 – Sound: 7 – Story: 6 – Script: 8 – Effects: 9 – Design: 6 – Costumes: 8 – Keeps interest: 9 – Lasting: 10