Citizen Kane

In 1941 writer, director, and actor Orson Welles redefined filmmaking with his classic picture Citizen Kane. There are only a very few directors who received any notoriety from their freshmen attempts at the time of their release. Orson Welles had made a name for himself on the stage and, a few years before Kane was […]

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Tokyo Story

Ozu’s 1953 film, Tokyo Story, is one of the very few films that I have ever watched that made me want to telephone my mother as soon as it was over. The movie follows an aging mother and father as they take a trip to Tokyo to visit their family, which is made up of […]

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Some Like It Hot

Billy Wilder’s 1959 film, Some Like it Hot, was ranked, by the American Film Institute, on their Top 100 at number 22 and at number 1 on their Top 100 Comedies and the BFI ranks it at 42. I can appreciate the effect that it had on cinema and the enduring history of Marilyn Monroe, […]

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Breathless

Everything you need to know about Breathless, a film from 1960 by Jean-Luc Godard, you can learn in the first six minutes. Godard lets you know, from the very first line – “After all, I’m an asshole” – that he is not too concerned with your opinions. Straight out of the gate, Godard hot-wires French […]

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The Godfather

I considered spending my evening watching the many hours of special features to really dig into the heart of The Godfather and The Godfather Part II by Francis Ford Coppola, but I decided that just watching the (three) movies with the commentary gave me a sufficient amount of information. I have seen the three films enough […]

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Late Spring

As an amateur film lover, my knowledge of Japanese cinema has been by a handful of Kurasawa pictures and various Kaiju smash-em-ups. I have always accepted that I exist in a sphere of naiveté when it comes to foreign films, a trait that I am eager to shed with this project. From 1949, Late Spring […]

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Shoah

I have just finished watching Shoah by Claude Lanzmann, a 550-minute documentary film about the Holocaust. I cannot imagine what words I can say about the film. How do you comment on the cinematography when the subject matter is so bleak? It was a very well-made documentary and I can see why Sight & Sound […]

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